
As per their plan, Bhasu and Suri take with them a forest guide Thangavelu (Jayaprakash Reddy), a doctor Devika (Hamsa Nandini), a mines expert Robert, a person to defuse bombs Kamini, a cook Waste Babu and a driver-cum-mechanic AIDS Raju. He takes an year time to pool up resources and with the help of his close friend Suri, chalks out a plan. Instead of giving the information to the government, he decides to own the treasure with the help of a group of persons by promising them a share in the booty. While returning from forests, he gets information about the treasure worth Rs 400 crores which was hidden by the forest brigand. He goes deep into the Satyamangalam forests to cover Veerappan's death news. The film was produced by NRIs who are interested to earn good name in film industry and it reflected in the high production values.īhavaraju Suryanarayana Bhasu (Aryan Rajesh) is a private channel reporter. At the same time, tunes by Maestro Illayaraja also rekindled the hopes on the success of the film. With an opportunity to play with a director like Vamsy, the audiences had kept a lot of expectations on the film.Įspecially, when they learnt that the film is being made with forest backdrop, they had in mind the film like 'Anveshana' from the director.

Though he played hero in some more films, he is still awaiting a good break. Her story has inspired guided tours of the Berlin locations where it took place, including Jebenstrasse at the Zoologischer Garten railway station, where the so-called “Babystrich” gathered, the strip in the Schöneberg district where Felscherinow worked as a prostitute to fund her drug habit, as well as the nearby Sound, the nightclub in West Berlin in the 1970s where she first discovered heroin.Aryan Rajesh, son of EVV Satyanarayana, had made his debut through 'Sontham'. Over the years she has remained reluctant to talk about whether she is still a heroin user. My Second Life, which detailed her subsequent troubles, including losing custody of her son and how she joined a methadone programme to try to kick her habit. In 2013 she published a sequel, Christiane F. “At the time the journalists struggled to find a publisher for the book because no one thought the story was relevant,” McKinnon said in an interview.įelscherinow shot to fame when her story first became known. Jana McKinnon, the 22-year-old Austrian-Australian actress who plays the lead role, said that she had not met Christiane Felscherinow, who still lives in Berlin, but had read her book and consulted the two journalists from Stern magazine who had interviewed her in preparation for the role, as well as consulting experts’ advice on drug taking. Critics have warmly praised the performances of its young actors. The slang terms used by the actors mixes phrases from the present day and the early eighties. “This is our interpretation of what Christiane and her friends experienced at this time,” director Philipp Kadelbach said in an interview.Īlthough the story continues to be set in West Berlin of the late 70s and early 80s, the connection has been deliberately blurred with a soundtrack that replaces Bowie with dancehall, punk and hip-hop from the last twenty years. The makers of the new series, which was filmed in Prague and Berlin, insist they are not so interested in recapturing the mood of the original as they are in embracing the essence of a universal story about young people finding their place in the world. Photograph: Courtesy Everett Collection/REX “Is it really necessary to give a new language to 40-year-old iconic material which influenced a whole generation and to place it in the here and now?”Ī publicity photo for the 1981 film.
#Heroin of sontham movie series#
“This new series will never be able to leave its mark like the 1981 film did”.

The leftwing newspaper Die Tageszeitung insisted it was impossible for the remake to have such a cultural, social and political impact as its forerunner.

But for those who knew the city at the time it accurately portrayed the sense a lonely cold war island, surrounded by the Berlin Wall and cut off both from eastern and western Europe – a draw to drop outs, rejects, military deserters and artists.Ĭritics have inevitably asked what is to be gained by giving the story a new filmic treatment. Some observers later accused the film of glamourising 1970’s West Berlin as a mecca of sex, drugs and experimental music.

In one scene, the 14-year-old protagonist Christiane and her fellow addicts inject themselves in toilet cubicles, surrounded by their own and others’ urine, blood and vomit, before falling unconscious. Edel’s original grim and gritty low-budget film, which used mostly first-time actors and had a soundtrack by David Bowie, shocked critics and audiences with its decrepit depictions of a lost generation of Berlin youth who turned to heroin.
